Clint: 3.6/5 stars, 7/10.
Carolyn: 4/5 stars, 8/10.
Native ratings: IMDB: 6.1/10. Netflix: 3/5 stars.
Watched this to see the remaining unwatched Andrew Niccol-directed movie, after really loving In Time, The Truman Show, and Gattaca. (Though I liked Lord Of War way less than the other 3.)
What a great post-modern idea: Computer-generated actors becoming popular without the public realizing it — and of course between when the movie came out and now, it’s happened in real life, at least once, specifically in Japan with a pop singer who turned out to be a computer-generated composite of several band members: http://gawker.com/5814822/japans-newest-pop-star-revealed-to-be-computer+generated-fake .
A great idea, but this movie didn’t explore the technosociological implications of the idea as much as I hoped. It was more about Al Pacino getting in over his head (“Say hello to my cgi friend!”), and how crazily the public can be easily manipulated. That made it not quite fulfill my own made-up internalized potential hope for what this movie should be (somethign I always advice against people having in the first place). Carolyn wasn’t bothered by that as much. Maybe I shouldn’t be.
Still a good movie.
Very interesting that Andrew Niccol married the woman who played Simone — who was not originally credited in the credits, leaving people to think she truly was computer-generated in the movie. (They were going to do it, but the Screen Actors’ Guild pressured them into not doing it, for fear that it would be the end of all actors, much like what the movie depicted.) This movie also has Catherine Keener (surprisingly playing a light, non-bitchy, warm person), Winona Ryder, and a way-younger Evan Rachel Wood.
LINK URL: http://www.imdb.com/title/tt0258153/