3/5 stars, 6/10 from both of us.
Native rating: 2.5/5 stars, 4.9/10.
(Netflix’s guess for us was 3.1/5, very good Netflix!).
Directed by Marc Caro, who co-directed The City Of Lost Children & Delicatessen with Jean-Pierre Jenuet.
They used to collaborate together, then they went their separate ways when Jeneut went to work on Alien:Ressurrection. After that, Jenuet went on to do Amelie & Micmacs. These movies are very much in the same cinematic style as Delicatessen & The City Of Lost Children, except they are very whimsical, missing all of the darkness from Delicatessan & The City Of Lost Children.
Apparently, the darkness came from Marc Caro. So we sought to see what a Marc Caro movie was like WITHOUT Jenuet.
The answer: Not as good.
This kind of came off as Chronicles Of Riddick meets Clockwork Orange meets Pandorum. The movie had very good visuals, an interesting moral dillema, and a disturbing, claustrophobic insane-asylum-on-space-station atmosphere — but the ending was a total cop-out that left few satisifed.
And a lot of questions were never answered, which makes the mystery aspect retroactively come off as pretentious. Like, for instance, what was the company *TRULY* doing with the nanotechnology? Adding Christ allegory only makes a movie more pretentious and revolting to me.
I don’t regret seeing it, but my impression is Marc Caro and Jean-Pierre Jeunet are both incapable of making a single movie as good as when they both collaborated. They should get back together!
Special thanks to Ian Buckwalter for helping me understand the Jeunet/Caro dichotomy, and pointing out to me that this movie exists in the first place.
LINK URL: http://www.imdb.com/title/tt0487928/