Cartoons


VIDEO: MOVIES: CARTOONS: REVIEW: The Lorax (2012)

Clio: 2.8/5 stars, 5.4/10.
Carolyn: 3/5 stars, 5.6/10.
Native ratings: 4.1/5 stars Netflix, 6.3/10 IMDB.

Based on the Dr. Suess book. Very generic. Too many songs. It’d probably be more enjoyable for a young kid, but didn’t have nearly as much to offer to adults.

Worth it to be able to visually explore a CGI instance of a Seuss-inspired world. For a lot of these Seuss movies, that’s really the sole point: Seeing what it looks like a grander scale.

Worth it, but I’d like more.

Directed by:
Chris Renaud (Despicable Me) and Kyle Balda.
written by: Ken Daurio (Despicable Me, Horton Hears A Who, College Road Trip, The Santa Clause 2).

Starring Danny DeVito (Taxi, Penguin in Batman Returns, Twins, The War Of The Roses, Man On The Moon, Mars Attacks!, It’s Always Sunny In Philadelphia) as The Lorax.
Ed Helms (Andy Bernard in The Office, The Hangover movies, 3 eps of Arrested Development, Walk Hard: The Dewey Cox Story, Harold & Kumar Escape From Guantanamo Bay) as The Once-ler.
Zac Efron (Anakin Skywalker in Robot Chicken: Star Wars Episode III, 17 Again, High School Musical, 1 ep of Firefly) as Ted.
Taylor Swift (the singer) as Audrey.
Betty White as Grammy Norma.
Rob Riggle (P.O.T.N. in NTSF:SD:SUV, 4 eps of American Dad, The Hangover, Step Brothers, Human Giant, Talladega Nights: The Ballad Of Ricky Bobby) as Mr. O’Hare.
Jenny Slate (2 eps of Bob’s Burgers, 1 ep of Ugly Americans, Saturday Night Live) as Ted’s Mom.
Nasim Pedrad (87 eps of Saturday Night Live, The Dictator, 7 eps of Allen Gregory) as Once-ler’s Mom.
Elmarie Wendel (Mrs. Dubcek in 3rd Rock From The Sun, 1 ep of American Dad, 5 eps of General Hospital) as Aunt Grizelda.
Danny Cooksey (5 eps of Invader Zim, Kung Fu Panda, 2 eps of G.I. Joe Renegades, Tiny Toon Adventures, Terminator 2, Static Shock, Dave The Barbarian) as Brett / Chet.
Stephen Tobolowsky (Bob Bishop in Heroes, The Time Traveler’s Wife, Boxboarders!, Buried) as Uncle Ubb.
Chris Renaud (he’s the director of The Lorax, Despicable Me) as Forest Animals.

 

Christie: Agreed. Liked it, but too many songs.

 

LINK URL: http://www.imdb.com/title/tt1482459/combined

VIDEO: MOVIES: CARTOONS: VIDEO GAMES: REVIEW: Wreck-It Ralph (2012)

Carolyn: 4.6/5 stars, 8.6/10.
Native ratings: 4.2/5 stars Netflix, 7.9/10 IMDB.

I defer to Carolyn’s rating for this one. I kept falling asleep. I definitely still followed everything that happened in the movie, but it lost it’s potential for full effect on me. I could tell it was awesome, but I just wasn’t SURE it was awesome. I’m not even going to rate it because I don’t even know how I feel about it.

But hey! Carolyn loved it! A lot of people loved it! I’ll be watching this again someday, 7 years from now.

LINK URL: http://www.imdb.com/title/tt1772341/combined

VIDEO: MOVIES/COMIC BOOKS/CARTOONS: REVIEW: Astonishing X-Men: Gifted (2010)

Clint: 4/5 stars, 8.4/10.
Carolyn: 4.6/5 stars, 8.6/10.
Native ratings: 3.4/5 stars Netflix, 6.5/10 IMDB.

Did I mention this was written by Joss Whedon?

Very interesting animation… It looks like it’s going to be motion-comic-style with hardly any real movement and no lip-moving, but then it turns out to be almost fully animated. Still more “comic-book-y” than any “real” animation… But I think this really meets the halfway point between the two, in a way that I’ve never seen done better in my life. However, the strange warping they did to simulate 3D-ness kind of wigged me out. But I get it: This is a motion comic, they take shortcuts, lower budget means higher ability for more releases. Works for me. You just gotta accept it.

My one problem with this was that there was no steadfast conclusion to all the various stories spinning up (and down). In that respect, yes, it was very comic-book-y. Almost too much! Though… If something like this came out once a month for the rest of my life, it’d be frickin’ awesome.

Also, the voices weren’t top-notch… Beast’s voice especially threw me off as being so different from what I’m accustomed to that it was actually distracting. But again, that’s kind of something you have to accept when doing with motion-comic type releases (Even though this is the most motion-y motion comic I’ve ever seen.)

But other than that? That was pretty fucking awesome. It took place in the current chronology: The Legacy Virus is long gone… Beast had his secondary cat mutation… Colossus is dead…Jean is long dead [again, but this time for real]… Cyclops is dating Emma Frost The White Queen now….  [Which, if you read the wiki on Jean… Her spirit actually basically rose from her grave to tell Scott it was okay to hook up with Emma…]

WAIT WAIT WAIT.. THIS IS ONLY THE FIRST OF FOUR “MOVIES” (some call them seasons, but they are analagous to Whedon’s graphic novels)?!?! WTF!!! WELP.. I’M OFF TO GET THE REST! CYA!

LINK URL: http://www.imdb.com/title/tt2047677/combined

VIDEO: MOVIES: CARTOONS: REVIEW: Spider-Woman, Agent of S.W.O.R.D. (2009) [Marvel Knights]

Clint: 3.2/5 stars, 6.4/10.
Carolyn: 2.6/5 stars, 5/10.
Native ratings: 5.9/10 IMDB (not available on Netflix).

Only 51 minutes; a compilation of 5 motion comics that were about 10 minutes each.

Carolyn thought the dialog was a bit stilted and annoying, but this is really meant to be in the same vein as a comic book, not a movie… So I don’t hold it against it as much.

The artwork was good — Spider-Woman was modeled after Jolynn Carpenter. Did a google image search on her afterward. Yup! Spider-Woman!

The voice acting wasn’t as good.

A motion comic is a really low budget thing… I celebrate additional low-grade stuff vs having nothing.

I could see this as being done as an animated series akin to the Men In Black animated series. I’d watch it.

The conclusion seemed kind of rushed. Like, “Whoa, it’s suddenly over?” I thought more was going to happen but then it suddenly felt like The End.

LINK URL: http://www.imdb.com/title/tt1673449/?ref_=fn_al_tt_1

VIDEO: MOVIES: CARTOONS: REVIEW: Frankenweenie (2012)

Clint: 4.6/5 stars, 8.4/10.
Carolyn: 5/5 stars, 9/10.
Native rating: 4/5 stars Netflix, 7.2/10 IMDB.

All Tim Burton is good (except for his Planet Of The Apes sequel), but some Tim Burton is better than other Tim Burton. For example, Nightmare Before Christmas is better than Corpse Bride.  This one was good, but not his top-notch work. It was good to finally see his 1984 short developed into a full length Frankestein homage feature.

I’m not sure if I’ve seen 1080p black-and-white stop-motion-animation before, it was certainly an interesting look, though I will always prefer the world of color to the world of black-and-white. It did help make the Frankenstein homage more accurate.

Carolyn: Yeah, I thought it would have been better in color, but I guess the black and white was a throwback to black and white horror movies…  I thought this was better than Corpse Bride, but not as good as Nightmare Before Christmas.  I was sad they didn’t find a way to save Mr. Whiskers.  Poor Mr. Whiskers.

Clint: MR. WHISKERS WAS A CUNT

Carolyn: HE WAS A VICTIM OF CIRCUMSTANCE!

LINK URL: http://www.imdb.com/title/tt1142977/?ref_=sr_1

VIDEO: MOVIE: CARTOONS: ANIME: REVIEW: Kiki’s Delivery Service (1989) (Japan)

Clint: 3.6/5 stars, 7.2/10.
Carolyn: 3.4/5 stars, 7/10. “Good. No Howl’s Castle or Princess Mononoke, but still.” And that’s about how I feel.
Native ratings: Netflix: 4/5 stars. IMDB: 7.8/10.

Hayao Miyazaki. Great animator. Great director. Good writer. Huge body of work.

The plot wasn’t super exciting and full of jam-packed action, as it was more character-driven than plot-driven. There was no “bad guy” for example. Just a 13 year old girl trying to live independently for a year, as is the custom with witches.

And if you can fly on a broomstick, why not start a delivery service?

I do feel like it puttered out at the end a bit, which is a trope among anime. Anime is often more about the voyage than the destination, and that remains true here. But less frustratingly so than usual.

This was so lighthearted!

LINK URL: http://www.imdb.com/title/tt0097814/?ref_=fn_al_tt_1

VIDEO: MOVIE: REVIEW: Dante 01 (2008)

3/5 stars, 6/10 from both of us.
Native rating: 2.5/5 stars, 4.9/10.
(Netflix’s guess for us was 3.1/5, very good Netflix!).

Directed by Marc Caro, who co-directed The City Of Lost Children & Delicatessen with Jean-Pierre Jenuet.

They used to collaborate together, then they went their separate ways when Jeneut went to work on Alien:Ressurrection. After that, Jenuet went on to do Amelie & Micmacs. These movies are very much in the same cinematic style as Delicatessen & The City Of Lost Children, except they are very whimsical, missing all of the darkness from Delicatessan & The City Of Lost Children.

Apparently, the darkness came from Marc Caro. So we sought to see what a Marc Caro movie was like WITHOUT Jenuet.

The answer: Not as good.

This kind of came off as Chronicles Of Riddick meets Clockwork Orange meets Pandorum. The movie had very good visuals, an interesting moral dillema, and a disturbing, claustrophobic insane-asylum-on-space-station atmosphere — but the ending was a total cop-out that left few satisifed.

And a lot of questions were never answered, which makes the mystery aspect retroactively come off as pretentious. Like, for instance, what was the company *TRULY* doing with the nanotechnology? Adding Christ allegory only makes a movie more pretentious and revolting to me.

I don’t regret seeing it, but my impression is Marc Caro and Jean-Pierre Jeunet are both incapable of making a single movie as good as when they both collaborated.  They should get back together!

Special thanks to Ian Buckwalter for helping me understand the Jeunet/Caro dichotomy, and pointing out to me that this movie exists in the first place.

LINK URL: http://www.imdb.com/title/tt0487928/

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