Netflix: Clint:3/5 stars, Carolyn:2/5 stars. IMDB: 6/10 (both).
Susan was right — Grindhouse:Planet Terror was a lot better than Grindhouse:Death Proof.
This film started off promisingly enough — the throwback 1970’s simulated-B-movie style of both Grindhouse movies is, in and of itself, enough to hold my attention for a bit. But then it stopped in mid-movie! They had some, er, uh, “technical difficultiles” [simulated of course], went black-and-white for awhile, and then came back in color — at which point it mostly just looked like a “normal movie” for the rest of the movie.
That couldn’t have made or broke the movie, however. A good story is a good story, regardless of presentation. But this story was actually pretty boring, and full of pointless details and characterization. I mean, the whole lapdance subplot was entertaining, but ultimately it was just random stuff that happened, and it had no bearing on the movie whatsoever except to increase Kurt Russel’s douchitude level.
When all was said and done, Carolyn called Death Proof “2 movies”. Quite ironic, then, to have a movie that is 2 movies (Death Proof) inside a movie that is already 2 movies (Grindhouse, comprised of Death Proof and Planet Terror). I’ll call it “2 parts”. The first part was the first bar, up to the first “confrontation”, and it was quite entertaining. But it turns out all the characterization was for nothing. The second part takes place 14 months later, and is BORING. The new characters hang around in a cafe talking, until I stopped paying attention, and Carolyn looked over, and said, “I’m bored!” It picked up again at the end — a lot — and then ended abruptly.
This was really a failure for Tarantino after the sheer brilliance of Kill Bill. He could have done so much more with these characters.
And who would have known that Rose McGowan looked better as a blonde?!?!?!?!
I guess there’s good reason that Grindhouse is a double feature! Death Proof without Planet Terror is quite lacking.
Wilhelm scream: At approximately 51:30 (51 minutes, 30 seconds into the movie).
COINCIDENCE: (Dan In Real Life,Grindhouse:Death Proof) 2 movies in a row where a hot chick goes up to a jukebox, puts some money in, selects a song, and starts dancing sexily, all alone, for no apparent reason. I guess cinema cliches are ubiquitous.
March 12, 2008 at 9:23 AM
Jon B’s review of Grindhouse:Death Proof (and Planet Terror) is here:
http://vealshanks.wordpress.com/2007/06/17/grindhouse-2007/
March 12, 2008 at 2:19 PM
Yeah, QT does have a this annoying habit of making “2 part” movies. Specifically, I’m referring to “From Dusk till Dawn”. The first half is pretty cool, and then all of a sudden from out of nowhere, there’s all these vampires. WTF?! I wasn’t sure it was even the same movie anymore.
Agreed though, Planet Terror is definitely the better of the 2 Grindhouse flicks.
March 13, 2008 at 3:34 PM
Tarantino was do for a bomb, real or imagined.
March 13, 2008 at 11:56 PM
I’ll (as usual) differ here and say that I enjoyed Death Proof more than Planet Terror.
Part of the joke here is that neither of these are really Grindhouse flicks. They’re RR & QT’s homage to grindhouse, meaning that they’re in the general style, but really bear more of a similarity to the works of the two directors than their grindhouse ancestors. No grindhouse film, for instance, would ever have the SFX budget or production values that Planet Terror has underneath all those digitally rendered film scratches. So Rodriguez is doing what he’s been doing for years: a B-movie with a budget. Same for Quentin: female revenge tales and action movies that are mostly about people talking are what he does best; so he combines those two things with an homage to Vanishing Point for a bang-up car chase movie with lots of talking and a simple tale about the dangers of fucking with the so-called weaker sex.
The point here isn’t really the movies themselves as much as the homages to a time when movies could be about ANYTHING and still find a loving audience, no matter how ridiculous, or how oddball the plot. I think BOTH of these are movies RR and QT might have wanted to make regardless, but the fact is that in order to get them greenlit, they had to couch them within this “concept” to do so.
Value judgements are really beside the point, anyway. On any normal scale, both of these flicks are far better than 95% of the stuff that used to screen at the grindhouses. But I LOVE watching all that old crap because it’s great seeing what bizarro shit people could get away with, not to mention what they could accomplish on those shoestring budgets. Grindhouse (capital G) is an awesome nostalgia trip to a time I never really got to enjoy in the moment, in a grindhouse (lowercase g) theater.
So, the reason I liked Grindhouse (capital G)? Just seeing these two guys sort of rediscovering the joy of making movies, and making weirded out tributes to a bunch of trippy old shit that I also love. My reason for enjoying Death Proof slightly more? Hard to say; probably partly the usual overly verbose, but still fascinating Tarantino dialogue (even if it never really led anywhere substantive), but more than that, the great fucking car chases; because any of those great old car-based flicks like Vanishing Point or Two Lane Blacktop were all about showcasing hot cars and all the tricks directors and stunt drivers could figure out to do, and Tarantino hit it out of the park with that car chase and the revenge payoff at the end. That’s all anyone would ever ask out of one of those movies, so it’s a little unreasonable to expect another Pulp Fiction or Kill Bill when the guy’s just fucking around with a dumb little hot rod movie.
My 2 cents, as always. :-)
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